Waiting In The Wings

March 1947.
A four-year-old Salima Hashmi is witness to the Sikh leader, Master Tara Singh and his many followers denouncing the demand for Pakistan.
Soon, the sub-continent is partitioned and Salima, her sister Moneeza, her English mother Alys, and her father, the renowned Urdu poet and leftist intellectual, Faiz Ahmed Faiz, are citizens of the nascent Pakistan.
Life in the newly formed nation is full of ups and downs, the lowest points being Faiz’s imprisonment in 1951 on charges of sedition and his subsequent self-exile from Pakistan in 1960. Even as the family struggles to cope, life is not without its highpoints. There are picnics and outings with her cousins, Salma, Mariam and Billoo. The family home is frequented by writers, artistes and political figures and Salima is privy to their conversations and arguments. And through it all, Salima finds her footing in art which becomes her life’s calling.
Waiting in the Wings, the first part of her two-volume memoir, is the account of the first two-and-a-half decades of Salima’s life. It is as much a portrait of a young nation as it is the account of the author’s own life.

Enter Stage Left
Returning to Pakistan in 1970 after a spell in England, Salima and her husband, Shoaib Hashmi, plunge into Pakistani cultural and political life. Along with her teaching at the National College of Arts, Lahore, where she pioneered a new system of art education, Salima also found time to dabble in photography, advertising and television.
In 1972, Shoaib and Salima conceived, scripted and acted in the pathbreaking Akkar Bakkar on Pakistan TV (PTV). Akkar Bakkar ran for six months and became the first Pakistani television programme to win an international award. Such Gup and Taal Matol, both hugely popular programmes, soon followed. It was a time of creativity and innovation.
During this time, Salima and Shoaib also became parents to Mira and Yasser. This period of Salima’s life came to an end with the ascent to power in 1977 of Gen. Zia-ul-Haq. Amidst a programme of Islamization and a clampdown of dissent, Salima also had to deal with her father Faiz’s second spell of self-exile to Beirut between 1979 and 1982.
Enter Stage Left, the second of Salima’s two-volume memoir brings us up to date with events in Salima’s and Pakistan’s life until the present day.